![]() Such a file name seems kind of ponderous, but I can guarantee that every file name will be unique, that I can associate it with a particular point in time (and, usually, event or location) and that there is enough descriptive text in the title. I might end up with "AmsterdamBikesCanal_10181101_12345.psd" So, if I have a photograph of an Amsterdam canal with bicycles in the foreground, I add something to the existing ACR-generated title when I save it. something I would consider printing or licensing, I add a title to that reflecting the file's subject/content. If I take that raw file and turn it into a usable image in Photoshop - e.g. (Note the existence of a previous 12345 camera file becomes irrelevant. So if my camera called the file 12345 I would end up with 10181101_12345. My scheme appends the original in-camera file name to the date in YYYYMMDD form. ACR can be set up to automatically do this at the time of import, so the process is almost invisible. I rename in ACR (as you could do in Photoshop) in a way that make sense to me. ![]() Not a huge deal since the date prefix will work out, but good for maintaining sequence integrity. But when I'm in the field and import on my laptop, I set the laptop's counter to the next sequence that the desktop would have used, and when I start importing on the desktop again, I reset its counter. For example, I usually import on my home desktop. If you import images on multiple computers, you need to take care that the "nnnnnn" part is appropriate. If you go to reimport images from a card, the typical "Don't import duplicates" feature doesn't work, because it's based on filenames and you've changed the on-disk name. ![]() The only downsides to numbering like this that I can think of are: Both of these could be implemented using import presets, and you'd need to be careful to use the appropriate preset to get the intended result. And when you buy your next camera, go into your import program and just change the prefix to "new-camera_nnnnnn", leaving the "nnnnnn" part alone so the sequence continues. For example, you could use "5D4_nnnnnn" if you have multiple 5D4's, you could use "5D4-1_nnnnnn", "5D4-2_nnnnnn", etc. There are lots of ways to implement this. There are programs that can do that, but you really want to have LR do it so as not to screw up LR's links to the files. I don't know if LR can go back and change filenames after-the-fact. The good things about this for me is that I never get duplicate filenames (I have yet to shoot more than a million images on a single day), and images shot by all of my cameras over the years fit into the sequence, so I can look at any filename and tell when it was shot, and I can use the "nnnnnn" number to quickly find files among shoots. I use a token, so all of my files are named Year-Month-Date-nnnnnn, where "nnnnnn" is an incremental number that I started years ago at 000001. Solution: during import, have LR rename the files and use that name for the original file. You can also add your own prefix, but I've noticed that for whatever reason, Canon cameras ignore one of the three prefix characters I enter. On your 5DIV, for example, there's a setting where you can choose whether to restart the numbers each time a card's formatted, or go continuously (which rolls over after 9999). That's what happens, because cameras are setup to increment up to a value, often 9999, and then rollover and start again. It isn't a huge deal, but I"d like to never reuse filenames. cr2 in Lightroom simply by searching for it. I like a client to be able to give me a filename and me find the original. I also thought I could start a renaming scheme on Lightroom upon input. Is there a trick to doing better things on camera? I'd rather add a single digit than reset to the beginning. It isn't like a filename of alpha + 50,000 would be "too long". Ideally, in my opinion, the camera would never reset file naming but instead keep going. From what I can tell, the camera "restarted" the file naming and now on my computer I'll have duplicated file names. So, I think the other day during a shoot I surpassed 10,000 clicks on my 5DIV.
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